Friday, July 27, 2007

Dead Man *****

For a while my brother has been saying that I ought to see this Jim Jarmusch film. It wasn't until the opening scene that I realised that I had seen it before but, as seems to be the case more and more, I couldn't remember it well enough to know what was going to happen next.

William Blake (Johnny Depp) travels across the States at the beginning of the last century to take up a position as an accountant in a metal factory. When he finds the job gone, things start to change significantly for him. A little while later he is on the run, accused of murdering at first two then more people, with at first one then another bullet in his body.

This is a glorious thing, shot in black and white, the scenery is awesome and Mr Depp has imbued the character with fearless dignity and a powerful kind of naivity, as he makes the journey from life to death, accompanied some of the time by "Nobody", a Native American outcast who believes him to be, at least in spirit, William Blake, the poet.

Not much happens, it is very beautiful and inspiring.

Let me know if this hurts

One of the reasons that the air-side shops are so successful is that passengers have effectively handed over responsibility for themselves to the authorities, they are relaxed, even vulnerable. You can say that everyone is vulnerable to some extent depending on a variety of personal and situational factors.

Yesterday Gemma was in the dentist's chair when the dentist said;

"Why are you frowning"?
"What do you mean"?
"That line on your forehead, shows you are frowning.......you can get rid of it with botox.......I can give you botox".

What's next....stealing your wallet whilst you are under anaesthetic?

Tuesday, July 17, 2007

Mantissa - word of the week

This word cropped up the other day as it is the name of a song by Mahogany as reviewed in the esteemed Critical Mass blog last week. I first encountered it in the maths class of Mr McDonald as it was some part of a logrithm if I remember. What I liked about it was the sound and so aged twelve I decided that it should have "my favourite word" status. Neglected since then apart from a couple of fleeting mentions in my life, I have restored some of its status by awarding it "word of the week". According to Wikipedia, its archaic, non-mathematical meaning is "a small or worthless supplement". I like it for that reason as well.

ps I apologise if you have arrived here from Google or some other search engine hoping to learn something about maths. I suppose that the person who did a search on "tauten" was disappointed too.

Scotland photos

A few Argyll photos from the other week.

Tayvalich

Loch Sween
South from Kilmartin

Saturday, July 14, 2007

Cinerama

I have nneglected my duties as a film reviewer over the last few weeks and have decided to rectify the situation to some extent by offering cut down notes on a number of the films that I have seen over that time. If you think I scatter around those little asteriscs too liberally, in the spirit of brevity, I have kept to my favourites.

The Machinist *****

A fascinating and disturbing study of guilt. (Christian Bale has managed to get himself unfeasibly skinny for the role of the eponymous factory worker). Most thought provoking, (for someone like me).



Little Miss Sunshine ****

This has been much hyped and rightly so. Disfunctional family attempts to support youngest daughter in her dream of success in one of those weird child beauty pageants they do in the States. Not what it seems, very funny and in the end, makes a point. (One criticism is that a repeated and nevertheless funny joke based on a mechanical problem with their transportation annoys me slightly as as it would not be possible).

Pan's Labyrinth ****

Very unusual, stylish, violent, engaging cross between a war thriller and fairy tail; honest. Brilliant nevertheless. Features the guy who played Harry in Harry he is here to help; Sergi Lopez, as a very nasty nutter, a role in which he is entirely believeable.


Volver****

An unusually accessible Almodovar film. Troubles in a Spanish family for Penelope Cruz to work out. The film is touching and atmospheric and now I can see what the all the fuss about Penelope Cruz is for. I really cared by the end.



I Vitelloni***

The adventures of a group of young men (vitelloni are calves), attempting to find their way in life, in a seaside town in Italy. Fredrico Fellini brilliantly makes me squirm at how people can be such idiots. Had to admire it even if not enjoy it. Once again (it was made in 1953) he manages to make a film that doesn't really date.

Sideways*****

Another film that makes you want to squirm a bit but which is perhaps more forgiving. Two very different (early middle-aged male) friends go off wine-tasting in Northern California in the week before the not very successful actor,(the other one is a penurious wannabe writer) is due to get married. A number of extreme situations in which they find themselves force them to face their own and each other's problems. Very very funny, brilliant acting.

Send three and fourpence.....

I just enjoyed a substancial lunch at a local Japanese Restaurant. At the bar afterwards I was chatting to the waitress and asked her the meaning of Japanese symbol/character. After three confrimations I was confident that she had said "wheat grain", despite having intially thought she'd said "wheat germ". Gemma joined in the conversation at this point and quickly established that the girl was saying "weekend". I have had some odd conversations with that very nice girl in the past.

Monday, June 25, 2007

Respiro ****

Living in a traditional Italian fishing village, the heroine is slightly bonkers in an unthreatening, even endearing kind of a way. This does not go down well with the locals however for whom her deviation from the norm is not acceptable. The film is about being an outsider and what that means, it is about taboo. The consequences are surprising and ironic.

The characters, particularly of the family members are authentic and compelling and the film has a great atmosphere, I use the word carefully. Respiro means "I breathe", at times we witness moments of Grazia's spirited liberation. However, the film also manages to convey the feeling of suffocation that she struggles with as a result of her inability to conform; several times I noticed my attention was drawn to my own breath, particularly at the perfectly conceived climax.

Tuesday, June 19, 2007

Thursday, June 07, 2007

Word of the week - dystocia

Dystocia is the name given to the condition experienced when having trouble giving birth. This week I have had trouble coming up with a word of the week. Perhaps it could be said that I have suffered from a touch of etymological dystocia or alternatively that I need to pull my finger out.

Tuesday, June 05, 2007

Carbon copy

Yesterday I had a couple of meetings in London in the morning and was on my way to Green Park to get the tube back to Vicotira when I had the idea that I could take a look at the Damien Hirst exhibition at the White Cube gallery in St James's. I suspected that there might not be a big queue to see the skull at 11.30 on a Monday morning and fortunatley I was correct. Entry is free but you have to have a ticket for a particular time slot; I was able to get my ticket and go in five minutes later.

The security man takes up seven or eight people at a time and you stand in a line in a corridor that reminded me of being at school. You get a little pep talk about leaving your bags on the floor outside and so on. He made me smile by explaining that the room was dark but that the only thing in there was the exhibit itself and not to worry about bumping into anything despite not being able to see your feet. He then mentioned however, that there was a woman in wheelchair already in there.

You have to give Mr Hirst credit for his ability to create icons, I have to say that I found "for the love of god" quite a stunning thing. The sense of theatre plays a part but the head itself is an object of beauty. I was particularly impressed by the view from the back. From the front, it is obviously an inanimate (if painstakingly prepared) object but from the rear there are no features missing that would necessarily lead you to believe that you might not be looking at the back of the head of young person, albeit shaved and covered with diamonds. I did wonder about its provenance, I understand that it is a cast made of platinum but of whom, where was he from, what colour skin did he have, what thoughts occurred in that space?

If I could fiddle with time, I could ask the artist on the bus on the way to school; he was in the year below me and often sat on his own. They didn't offer PR as a subject at that school but it is all art if you ask me. I remember the anticipation and the smell of paint as I queued outside the art room, I wonder what he remembers about those days. No smells at the White Cube but plenty of the other.

Wednesday, May 30, 2007

Un altro mondo

West from Rocca Calascio

Abruzzo is quite mountainous. There are those peaks around Grand Sasso in the north, in the Grand Sasso National Park, the other main group is to be found in the Majella National Park more southerly, where San Tommaso, one of a number of places in Italy so-named by pope somebody the something after Henry VIII had martyred Thomas Beckett is to be found. The village is located about a third of the way up Majella, so to get to most other places, you have first to decend a few hundred meters to a town called Scafa where you can join the autostrada if you're going somewhere in a hurry or a main road if you are staying more local or aren't in a rush.

The Mille Miglia (the thousand mile road race, last run fifty years ago) used to pass through here, the drivers having just turned west to cross the country to Rome before turning back north to complete their mad few hours back in Brescia. Gemma's dad used to cycle down from San Tommaso (where cars of any type were rarely seen) to witness those special people hurtling through that town.

Turning left at Scafa leads you along a valley and between two big hills to a town called Popoli. Turn right there and wind back up, higher than San Tommaso and slightly weirdly, find yourself on a massive flat plane. Driving its length will take about half an hour and will lead you to L'Aquila. That road is mainly dead straight and driving along it gives me the feeling that I must have a special, other wordly destination.

This time we decided to check out some of the villages that cling to the hills that surround the plane. One such is Calascio, where an ancient, mostly ruined castle commands views, on a clear day, all the way back to Majella to the south and for a long way in every other direction. We arrived there in our Fiat Idea 1.3 diesel having driven up some roads that were precarious enough to have caused raised voices in the car, despite my crawling along in second gear, the absence of barriers between the edge of the road and the sheer drops being the main problem. Eventually you arrive in a dust bowl of a small car park also occupied by the village bins. From there by foot you climb steeply with expectations of seeing very little activity, the first houses and many of the others too have been abandoned for what looks like a long time. As you climb, through the gaps between those run down homes to your left, the view makes you giddy.

Looking north from Rocca Calascio

Don't be surprised, when you find a tiny cafe, perched on the cliff, with a quintet (Il Quintetto a fiata della Baronia) playing Hinemith's Kleine Kammermusik opus 24, no. 2. Stoop to enter, order your espresso, retire to a table outside and wonder about how things can sometimes be so extraordinary. Shake off the emotions you have been sitting in and climb the last bit to the castle itself. This is our other-worldly destination, a bridge between the prosaic and the astral.

Looking south from Rocca Calascio (that's Majella topped with snow)

p.s. I thought I had better just check my Mille Miglia facts before publishing this post and have spent a most enjoyable half hour surfing through related sites. At first I was concerned that there was some confusion over the exact route and that Gemma's dad might have been referring to a 16 mile street circuit that used to exist in the Pescara environs but I was pleased to be able to confirm that that infamous race did pass along that exact piece of road. A fact which, for me, really turns the evocativeness knob right up, is that the route of the race actually included the road across that plane. Next time I am there, I can imagine Sterling Moss passing me at 170mph (a speed the cars often reached on the straights in those days) in his cocoon of noise and wind, dirty faced, his eyes piercing those leather rimmed goggles, calculating in a moment the value of the hazard that I represent, before forgetting me forever, vanishing in a vortex of dust.

It turns out that there were a number of routes (click here),used for the race between 1927 and 1957. From 1949 they all passed between Pescara and L'Aquila in one or other direction.

Il Rifugio della Rocca (click here) is where those concerts are held, if you happen to be passing.

Monday, May 21, 2007

Word of the week - boh

In view of my recent trip, this week we travel to Italy to find our word of the week. Boh is a bit rude and means I don't know or I don't care and although I couldn't find it in my dictionary it does appear in the BBC's language website under "cool Italian" click here to hear it pronounced, where it says it is usually accompanied by a shrug of the shoulders. When I first encountered it I was impressed by the level of laziness it conveys.

Che ora e?

What time is it?

Boh!

How the hell should I know!